Released in 1994, “De Mysteriis Dom Sathanas” by Mayhem is a seminal black metal album, shaped by band tragedies and known for its raw, haunting sound.
From the stone to the museum, Sweden offers a heartfelt tribute to Cliff Burton, capturing the magnetism of a metal icon gone too soon.
Before Death or Morbid Angel, there was Possessed. Their 1985 album “Seven Churches” cemented their status as death metal pioneers, influencing generations of artists with its musical aggression and confrontational lyrics.
The influence of Beavis and Butt-Head on the metal music genre cannot be underestimated. Through their unique commentary on a variety of metal bands, these animated figures from MTV managed to transform public understanding and acceptance of the genre.
The albums that built the scene, the ones that rattled the cages.
Dark Funeral’s 1996 debut album,
“The Secrets of the Black Arts,” is a raw and aggressive black metal release. It features fast tempos, tremolo picking, blast beats, and demonic vocals, establishing the band’s signature sound.
Deicide’s 2013 album “In the Minds of Evil”, their eleventh, features aggressive death metal and blasphemous lyrics exploring anti-religion, darkness, and violence.
Napalm Death’s “Utilitarian” (2012) is a grindcore/death metal album tackling themes of societal corruption, inequality, and ethical dilemmas. Its intense music and thought-provoking lyrics challenge listeners to confront uncomfortable truths.
Bloodstone & Diamonds, Machine Head’s eighth album, released on November 7, 2014, by Nuclear Blast, blends heavy riffs and melodic passages with experimental elements. Produced by Robb Flynn, it explores personal struggle and societal critique.
Of Kingdom and Crown by Machine Head, released on August 26, 2022, via Nuclear Blast and Imperium Recordings, is a concept album inspired by the anime Attack on Titan, exploring themes of loss and revenge.
Catharsis by Machine Head, released on January 26, 2018, via Nuclear Blast, blends groove metal and nu-metal. Produced by Robb Flynn and Zack Ohren, it features personal and political themes.
Bloodstone & Diamonds, Machine Head’s eighth album, released on November 7, 2014, by Nuclear Blast, blends heavy riffs and melodic passages with experimental elements. Produced by Robb Flynn, it explores personal struggle and societal critique.
Unto the Locust, Machine Head’s seventh album, released September 27, 2011, by Roadrunner Records, blends thrash and melody, featuring Flynn’s classical guitar influences and a children’s choir on “Who We Are.”
Ever wondered which Pantera album is the top fan favorite? We’ve ranked their albums from the iconic “Cowboys From Hell” era to their last.
Machine Head’s The Blackening (2007), recorded at Sharkbite Studios, features intricate, lengthy tracks and socio-political themes. The standout “Aesthetics of Hate” responds to an article on Dimebag Darrell.
Through the Ashes of Empires, released on December 16, 2003, by Roadrunner Records, marks Machine Head’s return to groove and thrash metal. Produced by Robb Flynn, it features Phil Demmel’s impactful return.
Supercharger, released on October 2, 2001, by Roadrunner Records, is Machine Head’s nu-metal album featuring rap-style vocals and turntable scratching.
The Burning Red by Machine Head, released on August 1, 1999, via Roadrunner Records, blends nu-metal and alternative metal. Produced by Ross Robinson at Indigo Ranch Studios, it features introspective lyrics.
The More Things Change… by Machine Head, released on March 25, 1997, via Roadrunner Records, blends groove and thrash metal. Notable tracks like “Ten Ton Hammer” showcase themes of societal critique and personal struggle.