Black Metal

Released in 1994, “De Mysteriis Dom Sathanas” by Mayhem is a seminal black metal album, shaped by band tragedies and known for its raw, haunting sound.

“Zău,” released in November 2021 by Lupus Lounge / Prophecy Productions, is the final part of Negură Bunget’s “Transylvanian Trilogy.” It blends traditional Romanian instruments like the tulnic and nai with black metal, recorded between 2017 and 2021, and serves as a tribute to the late Gabriel “Negru” Mafa.

“Zi,” Negură Bunget’s 2016 album, is the second in a trilogy exploring Transylvanian life. Featuring traditional instruments like the tulnic and nai, it blends black metal with Romanian folk for a rich, atmospheric sound.

Tău by Negură Bunget, released on February 27, 2015, through Lupus Lounge, is the first part of the “Transylvanian Trilogy.” This atmospheric black metal album features traditional Romanian folk instruments.

Vîrstele Pămîntului by Negură Bunget, released on March 31, 2010, by Code666 Records, blends atmospheric black metal with Romanian folk elements. Recorded in Dec 2009-Jan 2010, it marks a new lineup for the band.

“Măiestrit,” released on March 15, 2010, by Negură Bunget, re-records their 2000 album “Măiastru Sfetnic,” featuring the final work of the classic lineup. It blends black metal with Romanian folk and includes acoustic tracks.

“OM” by Negură Bunget, released Oct 2006 by Code666 Records, blends atmospheric black metal with Romanian folk elements, exploring deep spiritual themes.

“‘N Crugu Bradului,” released in October 2002 by Negură Bunget under Code666 Records, is a black metal album featuring tracks representing nature seasons.

“Negură Bunget’s ‘Măiastru Sfetnic’ (2000) blends atmospheric black metal with Romanian folklore and traditional instruments, creating a dark, immersive soundscape.

“Helvegr” by Tsjuder, released in 2023, marks their return after an eight-year hiatus. Featuring new drummer Jon Rice, it blends traditional Norwegian black metal with Satanic and Norse themes​.

Antiliv, released on September 18, 2015, by Season of Mist, is a raw black metal album by Tsjuder. It features dark, nihilistic themes, and the limited edition includes bonus tracks and covers of Mayhem and Beherit​.

Legion Helvete by Tsjuder, released on October 14, 2011, by Season of Mist, marks their return after a five-year hiatus. Recorded at dUb Studio and Triple-T Produksjoner, it blends raw black metal with thrash and punk. The track “The Daemon Throne” became a fan favorite​.

Tsjuder’s 2004 album, “Desert Northern Hell,” explores themes of desolation and inner turmoil within a black metal framework. The album marks a shift towards a more atmospheric and introspective sound compared to their previous work.

Tsjuder’s 2000 album “Kill for Satan” is a raw and aggressive black metal album. It features demonic vocals, relentless instrumentation, and unapologetically blasphemous themes.

Tsjuder’s 2002 album “Demonic Possession” is a raw and intense black metal release, known for its dark atmosphere and aggressive sound. The album’s uncompromising style further solidified the band’s position in the Norwegian black metal scene.

Emperor’s second studio album,
“Anthems to the Welkin at Dusk (1997), is a defining work in symphonic black metal, notable for its dynamic shifts between aggression and atmosphere.

Negură Bunget’s debut album, “Zîrnindu-să” (1996), is a raw and primal black metal album with folk influences. The album showcases the band’s early sound and their connection to Romanian folklore and spirituality.

Dark Funeral’s 1996 debut album,
“The Secrets of the Black Arts,” is a raw and aggressive black metal release. It features fast tempos, tremolo picking, blast beats, and demonic vocals, establishing the band’s signature sound.

Satyricon’s debut album, “Dark Medieval Times” (1993), is a seminal Norwegian black metal album known for its raw energy and atmospheric elements like acoustic interludes and flute passages.

Burzum’s 1992 self-titled debut album is a landmark release in Norwegian black metal, known for its raw sound, dark atmosphere, and controversial association with the early black metal scene.