Sweden

Nasum’s fourth studio album, “Shift,” was released in 2004 by Burning Heart Records. It features 24 tracks of fast-paced and aggressive grindcore music, making it the band’s final release before Mieszko Talarczyk’s death.

Nasum’s third studio album, “Helvete” (2003), is a 22-track grindcore album with aggressive and fast-paced songs addressing socio-political and environmental themes.

Nasum’s “Human 2.0” (2000) is a 25-track grindcore album with fast tempos, aggressive riffs, and socio-political lyrics. Produced by Mieszko Talarczyk, the album addresses themes of corruption, injustice, and environmental issues.

Nasum’s debut album, “Inhale/Exhale” (1998), is a raw and intense grindcore album with 38 tracks. The album, recorded in a basement studio, is known for its aggressive sound and politically charged lyrics.

Dark Funeral’s 1996 debut album,
“The Secrets of the Black Arts,” is a raw and aggressive black metal release. It features fast tempos, tremolo picking, blast beats, and demonic vocals, establishing the band’s signature sound.

Before djent became a buzzword, there was Meshuggah. Their uncompromising vision, technical mastery, and willingness to shatter expectations cemented their place not just as originators, but as true revolutionaries of metal.

Stark. Primal. Rebellious. The goat head of Bathory’s self-titled debut album became synonymous with black metal, a symbol of both dark power and DIY defiance.

What begins with the mystery of Niklas Kvarforth’s suicide unfolds into an unpredictable concert where he reappears as Ghoul, sparking controversy and chaos in equal measure.

Elizabeth Báthory, a 16th-century countess with a notorious reputation, and Venom’s metal anthem “Countess Bathory” find common ground in the story of how Bathory got its name.

From lineup shifts to picking the name Meshuggah, discover the roots of a band that would redefine metal as we know it.

From the stone to the museum, Sweden offers a heartfelt tribute to Cliff Burton, capturing the magnetism of a metal icon gone too soon.

Beyond the serene landscapes of Sweden lies Gothenburg, a city that tuned death metal to a different, harmonious frequency.

Imagine attending 300 heavy metal gigs in a year. Now, imagine that passion being classified as a disability. That’s the life of Roger Tullgren, a Swedish metalhead whose unique case has sparked international debate.

Nasum’s rise from DIY beginnings to global grindcore prominence is a story of passion, perseverance, and punk spirit.