Inhale/Exhale (1998)
Nasum’s debut album, “Inhale/Exhale” (1998), is a raw and intense grindcore album with 38 tracks. The album, recorded in a basement studio, is known for its aggressive sound and politically charged lyrics.
Released on April 18, 2000, “Human 2.0” is the second full-length album by Swedish grindcore band Nasum. Produced by Mieszko Talarczyk and recorded at Soundlab Studios in Örebro, Sweden, the album showcases the band’s signature blend of intense speed, aggressive guitar riffs, and socio-political lyrics. With 25 tracks and a runtime of 38 minutes, “Human 2.0” addresses themes of political corruption, social injustice, and environmental degradation.
Length: 38:14
Grindcore
April 18th, 2000
Relapse Records
October 2nd, 1999 – December 6th, 1999
Soundlab Studios (Örebro, Sweden)
Mieszko Talarczyk and Mathias Färm
Socio-Political Critique: The lyrics frequently address issues such as political corruption, social injustice, and the abuse of power. The band critiques the socio-political systems that perpetuate inequality and suffering.
Human Condition: There is a significant focus on the darker aspects of the human condition, including themes of despair, existential angst, and the struggle for personal freedom. The lyrics often reflect a sense of urgency and frustration with the state of the world.
Environmental Concerns: The album also touches on themes related to environmental degradation and the reckless exploitation of natural resources, criticizing humanity’s impact on the planet.
Anti-War Sentiment: Nasum’s lyrics express strong anti-war sentiments, condemning the senseless violence and destruction caused by armed conflicts.
Resistance and Rebellion: Many tracks promote the idea of resistance and rebellion against oppressive forces, encouraging listeners to fight against injustice and stand up for their beliefs.
Aggressive and Intense: The primary mood of “Human 2.0” is aggressively intense. The album is characterized by its relentless speed, heavy guitar riffs, and powerful vocals, all of which contribute to a feeling of unyielding intensity. This mood is consistent with the grindcore genre, known for its fast-paced and brutal musical style.
Dark and Confrontational: Lyrically, the album delves into dark themes such as socio-political corruption, environmental degradation, and the bleak aspects of the human condition. The confrontational tone is reflected in both the lyrics and the music, creating an overall mood of defiance and rebellion.
Urgent and Frantic: The pace of the album is frantic, with short, rapid-fire tracks that convey a sense of urgency. This is designed to keep the listener on edge and fully engaged, reflecting the urgency of the messages being delivered through the lyrics.
Cathartic and Empowering: Despite the dark themes, there is a cathartic and empowering element to the album. The aggressive delivery and rebellious lyrics can provide a sense of release and empowerment, encouraging listeners to confront their own challenges and injustices.
Influence of the Y2K Bug: The album title “Human 2.0” was influenced by the widespread panic over the Y2K bug, reflecting a theme of technological anxiety and societal upheaval.
Cultural References: The album features quotes from popular movies. For instance, “Resistance” includes a quote from “The Matrix”: “I hate this place. This zoo. This prison. This reality, whatever you want to call it, I can’t stand it any longer.” Similarly, “Sometimes Dead is Better” includes a line from “The Matrix,” and “Parting Is Such Sweet Sorrow” begins with a quote from “The Shawshank Redemption”.
Japanese Release: Unlike its predecessor “Inhale/Exhale,” “Human 2.0” was released in Japan. The Japanese edition, titled “Human 2.01,” included additional bonus tracks.
Album Artwork: The band intentionally chose a white cover for “Human 2.0” to make it stand out from the many dark-themed album covers prevalent in the metal scene at the time.
Recognition: In 2020, “Human 2.0” was named one of the 20 best metal albums of 2000 by Metal Hammer magazine.
April 18, 2000