
Inhale/Exhale (1998)
Nasum’s debut album, “Inhale/Exhale” (1998), is a raw and intense grindcore album with 38 tracks. The album, recorded in a basement studio, is known for its aggressive sound and politically charged lyrics.
Nasum’s “Helvete,” released on May 13, 2003, by Relapse Records, is the third studio album from the Swedish grindcore band. The album, whose title translates to “Hell” in Swedish, consists of 22 tracks characterized by the genre’s typical aggressive and fast-paced sound. It was recorded over a period from October to November 2002 at Soundlab Studios in Örebro, Sweden, with Mieszko Talarczyk as the producer. Addressing socio-political and environmental themes, “Helvete” aligns with grindcore’s traditional focus on critical societal commentary.
Length: 35:03
Grindcore
May 13th, 2003
Relapse Records
November 18th, 2002 – January 20th, 2003
Soundlab Studios (Örebro, Sweden)
Mieszko Talarczyk
Social and Political Critique: Many tracks on the album address systemic issues within politics and society, including corruption and exploitation. The lyrics often challenge governmental policies and societal norms, pushing listeners to question the status quo.
Environmental Concerns: Consistent with grindcore’s often politically charged messages, “Helvete” includes a strong emphasis on environmental activism. Lyrics discuss the destruction of nature, humanity’s unsustainable practices, and the urgent need for environmental responsibility.
Criticism of Human Behavior: The album explores themes of human indifference and cruelty. This includes reflections on societal apathy towards suffering and the moral consequences of such indifference.
Confrontational Tone: The overall tone of the lyrics is confrontational, intended to provoke thought and evoke a sense of urgency. This aligns with the intense and aggressive musical style of grindcore, which uses fast tempos and harsh sounds to emphasize its messages.
Intensity: “Helvete” is characterized by its high energy and fast-paced tracks. The music is loud, fast, and densely packed with heavy riffs and rapid drumming, creating a relentless auditory assault that matches the urgency of its messages.
Aggression: There’s a palpable sense of anger and aggression throughout the album. This is conveyed through both the harsh vocal delivery and the abrasive soundscapes that dominate the tracks. The aggression serves as a channel for the frustration and dissatisfaction expressed in the lyrics.
Darkness: The album’s mood is notably dark and grim. This darkness is reflective of the serious themes discussed—environmental destruction, societal decay, and human cruelty. The heavy and oppressive sound complements the bleakness of the lyrical content.
Catharsis: Despite the darkness and aggression, there’s an element of catharsis in the music. For listeners, the energetic execution of songs provides a means to release tension and engage with the issues presented in a visceral way.
Collaboration with Napalm Death: Members of the influential grindcore band Napalm Death contributed to “Helvete.” Mitch Harris directed a live music video for the track “Scoop,” while Shane Embury played bass on the songs “Drop Dead” and “Whip”.
Album Artwork: The album cover was designed by Paul Romano, who worked closely with the band to reflect the “hellish” theme suggested by the album title, “Helvete,” which means “hell” in Swedish. The design process involved several sketches and revisions to ensure it matched the band’s vision.
Album Title Discussion: The band members had different ideas for the album title. Initially, “Pravda,” the Russian word for “truth,” was suggested, but it was voted down. Another suggestion was “Chagrin,” but it was considered too complicated. Finally, “Helvete,” which means “hell” in Swedish, was chosen, fitting the album’s intense themes.
Extensive Documentation: The recording process of “Helvete” was thoroughly documented by the band. This included a weekly studio diary and a detailed article written by the late Mieszko Talarczyk about the recording sessions, providing fans a deep insight into the making of the album.
May 13, 2003