
Scum (1987)
Napalm Death’s debut album “Scum” (1987) is a landmark in extreme metal, laying the groundwork for grindcore with its raw energy, relentless aggression, and socio-political lyrics.
“Time Waits for No Slave” is the thirteenth studio album by British grindcore band Napalm Death, released on January 23, 2009, by Century Media Records. The album features a blend of traditional grindcore with experimental elements, including semi-melodic vocals and complex song structures. Key tracks include the title song “Time Waits for No Slave” and “On the Brink of Extinction,” which address sociopolitical themes and personal empowerment. The album was recorded at Foel Studios in Wales and produced by Russ Russell.
Length: 50:13
Death metal, grindcore
January 23rd, 2009
Century Media Records
August – October 2008
Foel Studios (Llanfair Caereinion, Wales) and Parlour Studios (Kettering, England)
Russ Russell and Napalm Death
Resistance to Oppression: Songs like “Diktat” and “On the Brink of Extinction” address authoritarianism and the struggle against oppressive regimes.
Human Rights and Exploitation: Tracks such as “Life and Limb” and “Larceny of the Heart” delve into issues of human exploitation and the violation of human rights.
Self-Empowerment and Activism: The title track “Time Waits for No Slave” emphasizes the importance of personal empowerment and taking action against societal wrongs.
Environmental and Existential Concerns: “Procrastination on the Empty Vessel” and “De-Evolution Ad Nauseum” reflect on environmental degradation and the existential threats facing humanity.
Intensity: The album is marked by high energy and relentless aggression, characteristic of the grindcore genre. The fast-paced drumming, aggressive guitar riffs, and powerful vocals create a sense of urgency and intensity.
Anger and Defiance: Lyrically and musically, the album conveys a strong sense of anger and defiance. The themes of resistance against oppression and critique of societal injustices are delivered with a fierce and confrontational tone.
Darkness and Despair: There are underlying tones of darkness and despair, reflecting the bleakness of the issues addressed. The heavy and sometimes dissonant musical arrangements contribute to a somber and ominous atmosphere.
Empowerment and Activism: Despite the aggressive and dark themes, there is also a sense of empowerment and a call to action. The album encourages listeners to resist passivity and take a stand against societal wrongs, instilling a sense of purpose and determination.
Raw and Uncompromising: The production and performance are raw and uncompromising, staying true to Napalm Death’s roots. The unpolished, intense sound emphasizes authenticity and directness, making the album feel immediate and visceral.
Thought-Provoking: The album is not just about raw emotion but also thought-provoking content. The complex lyrical themes invite listeners to reflect deeply on social, political, and existential issues, adding an intellectual dimension to the listening experience.
Recording in a Studio Surrounded by Nature: The album was recorded at Foel Studios in Wales, which is known for its scenic, rural location. This setting provided a peaceful backdrop, contrasting sharply with the intense, aggressive music being produced inside the studio.
Variety in Vocal Techniques: “Time Waits for No Slave” is notable for its variety in vocal techniques, including the introduction of semi-melodic and cleaner vocal sections alongside Barney Greenway’s traditional growls. This added a new dimension to the band’s sound and showcased their willingness to experiment and evolve.
Album Art: The striking cover art, featuring a stylized image of a clock intertwined with organic and mechanical elements, symbolizes the album’s themes of time, societal constraints, and the struggle for personal freedom. The artwork was designed to visually complement the album’s lyrical content.
January 23, 2009