Scum (1987)
Napalm Death’s debut album “Scum” (1987) is a landmark in extreme metal, laying the groundwork for grindcore with its raw energy, relentless aggression, and socio-political lyrics.
Napalm Death’s sixth studio album, “Diatribes,” released in 1996, marked a departure from their earlier grindcore sound. The album incorporates elements of groove metal and industrial music, showcasing a more experimental approach. Thematically, “Diatribes” addresses social and political issues with aggressive lyrics and vocals. The album’s musical style and lyrical content divided fans and critics upon release.
Length: 43:55
Death metal, groove metal
January 22nd, 1996
Earache Records
September, 1995
Framework Studios (Birmingham, England)
Colin Richardson
Social critique: The album rails against societal ills like corporate greed (“Greed Killing”), political manipulation (“Placate, Sedate, Eradicate”), and the dehumanization of individuals (“Cursed to Crawl”).
Personal struggles: Songs like “My Own Worst Enemy” and “Cold Forgiveness” delve into inner turmoil, self-doubt,and the difficulty of maintaining relationships in a hostile world.
Violence and conflict: The album doesn’t shy away from addressing the harsh realities of violence, both on a personal level (“Just Rewards”) and a global scale (“Glimpse Into Genocide”).
Organized religion: Songs like “Dogma” question the blind faith and hypocrisy often associated with organized religion.
Anger: The album’s dominant emotion is anger. It’s a raw, unfiltered rage directed at social injustice, political corruption,and the darker aspects of human nature. The lyrics and music are both aggressive and confrontational, with heavy riffs,pounding drums, and Barney Greenway’s signature guttural vocals that express this anger with full force.
Frustration: Underlying the anger is a deep sense of frustration. The lyrics often express a feeling of helplessness in the face of overwhelming societal problems, a frustration with the slow pace of change, and the seeming inability of individuals to make a real difference.
Disillusionment: “Diatribes” is also an album of disillusionment. It reflects a loss of faith in institutions, governments,and even humanity itself. The lyrics express a sense of betrayal and disappointment with the world, and a realization that things may not be as good as we would like them to be.
Catharsis: Despite the heavy emotions, “Diatribes” also offers a sense of catharsis. The raw intensity of the music and lyrics can be a powerful outlet for listeners’ own anger and frustration. The album allows you to channel those negative emotions into something productive, to feel heard and understood, and to find solidarity in shared experiences.
Empowerment: While the album’s overall mood is dark and heavy, there’s also an undercurrent of empowerment. By confronting difficult truths and expressing anger and frustration, “Diatribes” encourages listeners to take action, to fight for change, and to refuse to be silenced or complacent. It’s a reminder that even in the face of overwhelming challenges,our voices matter and we have the power to make a difference.
A Bold Departure in Sound: Released on January 30, 1996, “Diatribes” marks the sixth studio album by English grindcore band Napalm Death, noted for its experimental shift towards a more groove-oriented and mid-paced sound compared to their previous work. This album includes a distinctive mix of death metal and grindcore, with an interesting foray into slower, more experimental tracks that feature ambient and dirge-like elements.
Distinctive Tracks: The album opener, “Greed Killing,” is often cited as one of the standout tracks of Napalm Death’s career during this period. Its bright, melodic riffing and catchy nature made it exceptionally distinctive compared to other tracks by the band.
Mixed Reception with Lasting Impact: While “Diatribes” received mixed reviews for its deviation from traditional grindcore towards a more groove-laden sound, it played a significant role in attracting listeners who were on the fringes of the extreme metal scene. This approach helped the album act as a gateway for new fans exploring heavier music genres.
January 22, 1996