“The Stench of Redemption” is Deicide’s eighth studio album, released in 2006 on Earache Records. Featuring a revitalized lineup with new guitarists Jack Owen and Ralph Santolla, the album showcases a technical and aggressive approach to death metal, with lyrics focusing on anti-Christian and blasphemous themes. Notably, it was Deicide’s highest-charting album at the time of its release and received positive critical reception.
Track Listing
The Stench of Redemption
Death to Jesus
Desecration
Crucified for the Innocence
Walk with the Devil in Dreams You Behold
Homage for Satan
Not of This Earth
Never to Be Seen Again
The Lord’s Sedition
Black Night (Deep Purple cover)
Album length: 41:12
Music genre
Death metal
The Lineup for the Album
Glen Benton: vocals, bass
Steve Asheim: drums
Jack Owen: guitars
Ralph Santolla: guitars
Release Date
August 22, 2006
Record Label
Earache Records
Recording Date
April - June 2006
Recording Studio
Morrisound Recording (Tampa, Florida)
Produced by
Steve Asheim
Album Themes/Concept
Satanic Worship and Defiance: Songs like “Homage for Satan” and “Death to Jesus” leave no room for interpretation, openly praising Satan and calling for the destruction of Christian figures. The lyrics celebrate rebellion against religious authority and embrace darkness as a liberating force.
Blasphemy and Anti-Religious Sentiment: The album’s title itself, “The Stench of Redemption,” sets the tone for the lyrical content, which consistently attacks Christian beliefs and practices. Lyrics frequently depict Jesus in a negative light and question the validity of religious teachings.
Violence and Gore: Deicide’s signature gore-filled lyrics are present throughout the album, with vivid descriptions of violence, death, and suffering. This element adds to the overall extreme and shocking nature of the music, appealing to fans of brutal and graphic content.
Occultism and Dark Spirituality: The album explores themes of the occult, referencing rituals, demons, and dark forces. Lyrics suggest a fascination with the unknown and a rejection of traditional religious values.
Album Mood
Intense and Aggressive: The album’s fast tempos, heavy riffs, and blast beats create a relentless wall of sound that is both intense and aggressive. The music is designed to pummel the listener and leave them feeling energized and empowered.
Dark and Ominous: The album’s lyrical themes and musical atmosphere create a sense of darkness and foreboding. The use of minor keys, dissonant chords, and sinister melodies contributes to the overall ominous mood.
Blasphemous and Provocative: The album’s anti-religious lyrics and imagery are deliberately provocative and designed to shock and offend. This element adds to the album’s overall rebellious and defiant spirit.
Energetic and Cathartic: Despite its dark themes, the album’s energy and intensity can be cathartic for listeners who enjoy extreme and aggressive music. The music provides an outlet for anger, frustration, and other negative emotions.
Technical and Skillful: The album showcases the band’s technical proficiency, with complex song structures, intricate guitar solos, and impressive drumming. This element adds to the album’s overall appeal for metalheads who appreciate musicianship and skill.
Album Trivia
Guitar Lineup Changes: This album marked a significant lineup change with the addition of guitarists Jack Owen (formerly of Cannibal Corpse) and Ralph Santolla (formerly of Death and Iced Earth). Their contributions brought a fresh sound to Deicide, blending technical guitar shredding with melodic elements, which added depth and diversity to the band’s traditional brutal death metal style.
Limited Edition Release: There was a special clam case edition of the album limited to 4,000 copies. This edition included a bonus track, a cover of Deep Purple’s “Black Night” with rewritten lyrics by Glen Benton, as well as picture cards of the band members and a poster.
Ralph Santolla’s Impact: The late Ralph Santolla, who passed away in 2018, was particularly praised for his guitar work on this album. His contributions were seen as a major factor in the band’s revitalized sound, bringing a technical prowess and melodic flair that stood out in the death metal genre.
Resurgence in Popularity: “The Stench of Redemption” helped Deicide regain their status in the death metal scene after a period of lineup changes and less impactful releases. The fresh lineup and revitalized sound played a key role in reestablishing their influence.
Listen or Pass
This album might be for you if you…
Love Brutal Death Metal: You crave the relentless aggression and technicality of classic death metal.
Embrace Blasphemy: You enjoy lyrics that challenge religious norms and aren’t easily offended.
Need Speed and Intensity: You want fast tempos, heavy riffs, and blast beats to fuel your mosh pit fantasies.
Are a Deicide Fan: You want to hear the band revitalized with a new lineup and fresh energy.
Dig Guitar Solos: You want face-melting solos that showcase technical skill and shredding prowess.
Embrace Gore and Violence: You’re not squeamish and enjoy graphic imagery in your metal.
Seek a Challenge: You want an album that is both musically complex and lyrically thought-provoking.
You might want to pass this one if you…
Prefer Melodic Styles: You enjoy clean vocals and melodic elements in your death metal.
Avoid Anti-Religious Themes: You find blasphemous lyrics offensive or simply not your style.
Dislike Extreme Vocals: Harsh vocals like growls and screams aren’t your cup of tea.
Need Slower Tempos: You prefer doomier, atmospheric metal with slower tempos and more groove.
Want Experimentation: You’re looking for a death metal album that pushes boundaries and explores new sounds.
Prefer Modern Production: You want a more polished, contemporary sound in your metal albums.
Deicide’s 1990 self-titled debut album is a seminal death metal release known for its speed, aggressive vocals, and anti-religious themes. It was recorded at Morrisound Recording and became a controversial but influential work in the genre.
Deicide’s second album, “Legion” (1992), is a death metal album recorded at Morrisound Recording and produced by Scott Burns. The album features complex riffs, abrupt tempo changes, and anti-religious themes.
“Once Upon the Cross” (1995) is Deicide’s third album, featuring 28 minutes of intense death metal. Known for its anti-religious content and controversial cover.
Released in 1997 by Roadrunner Records, Deicide’s Serpents of the Light is a death metal album featuring tracks like “Serpents of the Light” and “Bastard of Christ.” The album is noted for its aggressive riffs and blasphemous themes.
“In Torment in Hell” is Deicide’s 2001 studio album, released by Roadrunner Records. Known for its raw sound and anti-Christian lyrics, the album features the band’s classic lineup and continues their tradition of anti-Christian themes.
Deicide’s “Scars of the Crucifix” is a sonic assault of pure aggression and anti-religious fury. This 2004 death metal album, the last with the Hoffman brothers on guitar, is a relentless barrage of blast beats, guttural vocals, and blasphemous lyrics.
Deicide’s 2006 album, “The Stench of Redemption,” released on Earache Records, features a new lineup and showcases a technical, aggressive death metal sound with blasphemous lyrics.
Deicide’s 2008 album, “Till Death Do Us Part,” is a brutal return to their classic death metal sound, featuring anti-Christian themes and intense musicianship.
Deicide’s 2011 album, “To Hell with God,” is a relentless and blasphemous death metal assault. It features their trademark aggressive sound, with fast tempos, pummeling drums, and razor-sharp riffs. Lyrically, the album continues their well-established anti-religious themes.
Deicide’s 2013 album “In the Minds of Evil”, their eleventh, features aggressive death metal and blasphemous lyrics exploring anti-religion, darkness, and violence.
Deicide’s 2018 album “Overtures of Blasphemy,” produced by Jason Suecof, is a relentless death metal assault showcasing their signature anti-religious themes and aggressive sound.
Deicide’s “Banished by Sin” (2024, Reigning Phoenix Music) is a classic death metal assault. Glen Benton leads vocally and in production, delivering a raw and aggressive sound that stays true to the band’s roots.