Released in 1997 by Roadrunner Records, Deicide’s Serpents of the Light is praised for its intense energy and concise songwriting. It features iconic tracks like ‘Serpents of the Light’ and ‘Bastard of Christ,’ renowned for their aggressive riffs and blasphemous lyrics. The album is both a fan favorite and a staple in the metal genre.
Track Listing
Serpents of the Light
Bastard of Christ
Blame It on God
This Is Hell We’re In
I Am No One
Slave to the Cross
Creatures of Habit
Believe the Lie
The Truth Above
Father Baker’s
Album length: 30:42
Music genre
Death metal
The Lineup for the Album
Glen Benton: vocals, bass
Eric Hoffman: guitars
Brian Hoffman: guitars
Steve Asheim: drums
Release Date
October 20, 1997
Record Label
Roadrunner Records
Recording Date
1997
Recording Studio
Morrisound Recording (Tampa, Florida)
Produced by
Scott Burns
Album Themes/Concept
Anti-christianity and blasphemy: The album is steeped in themes of anti-Christianity, with lyrics that aggressively challenge and denounce Christian beliefs and practices. Tracks like “Bastard of Christ” and “Blame It on God” directly confront religious doctrines and portray them in a negative light.
Critique of religious hypocrisy: Several songs on the album address the hypocrisy and perceived moral failures of religious figures and institutions. This is particularly evident in tracks like “Believe the Lie” and “Father Baker’s,” where the lyrics dissect the contradictions and alleged deceit within the church.
Darkness and nihilism: The overall tone of the album is dark and nihilistic, reflecting a deep cynicism about religion and its impact on society. The music complements this with its intense, brutal sound, creating a cohesive atmosphere that is both confrontational and thought-provoking.
Album Mood
Intensity and aggression: From the first riff, the album blasts a high-octane energy that barely lets up. The music is fast, heavy, and unapologetically aggressive, embodying the raw power of death metal. This intensity is carried by rapid drum blasts and shredding guitars that challenge the listener’s endurance.
Dark and menacing atmosphere: The mood throughout is dark and ominous, with themes that delve into anti-religious sentiments and existential despair. The growling vocals and lyrical content add a menacing quality to the music, creating a visceral experience that can feel like a confrontational assault on more conventional moral and religious beliefs.
Technical precision: Despite the chaos, there’s a clear precision in the musicianship. Intricate guitar solos and complex drum patterns demonstrate technical prowess, adding a layer of sophistication to the primal force of the tracks. This aspect of the music appeals to those who appreciate skill and complexity woven into their metal.
Cathartic release: For many metalheads, this album may serve as a cathartic release. The sheer extremity and the confrontational themes can be a form of expression and liberation from societal norms and pressures. The album doesn’t just entertain; it resonates on a deeper, more rebellious level.
Album Trivia
Influence and inspiration: In interviews, Benton has spoken about how personal experiences and his views on religion heavily influence Deicide’s lyrics and themes. For “Serpents of the Light,” he mentioned that the track was inspired by the loss of a friend.
Band dynamics: Around the time of Serpents of the Light, Deicide was undergoing internal tensions, particularly between Benton and the Hoffman brothers. These tensions would eventually lead to the departure of the Hoffmans in 2004, marking a significant lineup change for the band.
Album artwork: The album cover is often cited by fans and reviewers as one of Deicide’s best.
Fan reactions: The release of “Serpents of the Light” solidified Deicide’s status in the death metal community. Fans have noted the album for its unrelenting speed and aggression, and it has often been cited as a favorite during live shows, sparking intense mosh pits and crowd interactions, which the band members thrive on.
Listen or Pass
This album might be for you if you…
Love Extreme Metal: You enjoy intense, fast-paced death metal with aggressive riffs and brutal vocals.
Appreciate Blasphemous Themes: You find anti-religious and blasphemous lyrics compelling and integral to your metal experience.
Value Technical Skill: You are impressed by intricate guitar work and precise drumming in your metal music.
Enjoy Classic Death Metal: You appreciate the sound and production style typical of late 90s death metal, particularly from bands like Deicide.
You might want to pass this one if you…
Prefer Milder Lyrics: You are uncomfortable with or prefer to avoid explicit anti-religious and blasphemous content.
Dislike Extreme Vocals: You are not a fan of growling, harsh vocals typical of death metal.
Favor Polished Production: You prefer metal with more modern, polished production rather than the raw, gritty sound of 90s death metal.
Seek Variety in Music: You want more melodic or varied musical styles and structures, rather than the relentless aggression and speed of death metal.
Deicide’s 1990 self-titled debut album is a seminal death metal release known for its speed, aggressive vocals, and anti-religious themes. It was recorded at Morrisound Recording and became a controversial but influential work in the genre.
Deicide’s second album, “Legion” (1992), is a death metal album recorded at Morrisound Recording and produced by Scott Burns. The album features complex riffs, abrupt tempo changes, and anti-religious themes.
“Once Upon the Cross” (1995) is Deicide’s third album, featuring 28 minutes of intense death metal. Known for its anti-religious content and controversial cover.
Released in 1997 by Roadrunner Records, Deicide’s Serpents of the Light is a death metal album featuring tracks like “Serpents of the Light” and “Bastard of Christ.” The album is noted for its aggressive riffs and blasphemous themes.
“In Torment in Hell” is Deicide’s 2001 studio album, released by Roadrunner Records. Known for its raw sound and anti-Christian lyrics, the album features the band’s classic lineup and continues their tradition of anti-Christian themes.
Deicide’s “Scars of the Crucifix” is a sonic assault of pure aggression and anti-religious fury. This 2004 death metal album, the last with the Hoffman brothers on guitar, is a relentless barrage of blast beats, guttural vocals, and blasphemous lyrics.
Deicide’s 2006 album, “The Stench of Redemption,” released on Earache Records, features a new lineup and showcases a technical, aggressive death metal sound with blasphemous lyrics.
Deicide’s 2008 album, “Till Death Do Us Part,” is a brutal return to their classic death metal sound, featuring anti-Christian themes and intense musicianship.
Deicide’s 2011 album, “To Hell with God,” is a relentless and blasphemous death metal assault. It features their trademark aggressive sound, with fast tempos, pummeling drums, and razor-sharp riffs. Lyrically, the album continues their well-established anti-religious themes.
Deicide’s 2013 album “In the Minds of Evil”, their eleventh, features aggressive death metal and blasphemous lyrics exploring anti-religion, darkness, and violence.
Deicide’s 2018 album “Overtures of Blasphemy,” produced by Jason Suecof, is a relentless death metal assault showcasing their signature anti-religious themes and aggressive sound.
Deicide’s “Banished by Sin” (2024, Reigning Phoenix Music) is a classic death metal assault. Glen Benton leads vocally and in production, delivering a raw and aggressive sound that stays true to the band’s roots.