Deicide’s “Insineratehymn” is a 2000 death metal album featuring intense aggression, anti-Christian themes, and apocalyptic imagery. The album stays true to the band’s established style with Glen Benton on vocals and bass, Eric and Brian Hoffman on guitars, and Steve Asheim on drums.
Track Listing
Bible Basher
Forever Hate You
Standing in the Flames
Remnant of a Hopeless Path
The Gift That Keeps On Giving
Halls of Warship
Suffer Again
Worst Enemy
Apocalyptic Fear
Refusal of Penance
Album length: 31:10
Music genre
Death metal
The Lineup for the Album
Glen Benton: vocals, bass
Eric Hoffman: guitars
Brian Hoffman: guitars
Steve Asheim: drums
Release Date
June 27, 2000
Record Label
Roadrunner Records
Recording Studio
Morrisound Recording (Tampa, Florida)
Produced by
Deicide and Jim Morris
Album Themes/Concept
Anti-Christianity and Blasphemy: Central to Deicide’s thematic repertoire, “Insineratehymn” continues the band’s aggressive critique of Christianity. Lyrics frequently challenge religious dogma and depict anti-religious sentiments, which are common in death metal but pursued with particular vigor by Deicide.
Violence and Apocalypse: Many tracks evoke images of violence and apocalyptic scenarios. The lyrics often explore themes of destruction and end times, painting stark, brutal pictures of conflict and chaos, aligning with the darker tones of the death metal genre.
Hatred and Revenge: The album delves into feelings of hatred and the desire for revenge. These themes are expressed through intense and graphic lyrics that resonate with listeners who appreciate more extreme emotional expressions in metal music.
Critique of Divinity and Morality: Deicide questions the concepts of divinity and morality, particularly from a Christian perspective. This questioning is not just skeptical but often overtly hostile, reflecting the band’s signature style of confrontational and provocative content.
Album Mood
Intensity and Aggression: True to its death metal roots, “Insineratehymn” exudes an intense and aggressive mood throughout its tracks. The music is fast, heavy, and relentless, with pounding drums and rapid guitar riffs that contribute to a sense of urgency and force.
Darkness and Menace: The album’s mood is dark and menacing, reflecting its lyrical themes of anti-religious sentiment and apocalyptic imagery. This is music that doesn’t just seek to entertain but also to provoke and challenge, creating a somber and occasionally unsettling atmosphere.
Confrontational and Provocative: Deicide’s music is designed to confront and provoke, and this album is no exception. The mood is confrontational, with lyrics and vocals that are meant to shock and challenge listeners. This can be exhilarating for fans who appreciate music that pushes boundaries.
Solemnity and Solemnness: Amidst the aggression, there is an underlying solemnity in the way the themes are handled. The serious treatment of topics like blasphemy and critique of morality lends a gravitas to the music, making it more than just sound and fury.
Album Trivia
Controversial Themes: As with most of Deicide’s work, “Insineratehymn” explores themes that are controversial, particularly its anti-religious content. This is a hallmark of the band’s style and philosophy, which frequently stirs debate among listeners and critics.
Band Line-up: During this album, Deicide consisted of Glen Benton on vocals and bass, brothers Eric and Brian Hoffman on guitars, and Steve Asheim on drums. This lineup is considered classic by many fans of the band.
Deicide on TV series “The Sopranos”: The song “The Gift That Keeps on Giving” from this album gained a unique spot in popular culture by being featured in an episode of the TV series “The Sopranos,” specifically in season 4, episode 5 titled “Pie-o-My.”
Personal Angst: One of the tracks, “Forever Hate You”, is particularly notable not just for its aggressive sound but also for its personal backstory. Unlike most of Deicide’s work, which often targets religious themes, this song is a venomous attack directed at frontman Glen Benton’s ex-wife. This shift from their usual thematic content to a more personal grievance adds a unique layer to the album’s intense emotional landscape.
Listen or Pass
This album might be for you if you…
Enjoy Old School Death Metal: If you’re a fan of classic death metal bands like Morbid Angel, Cannibal Corpse, or Obituary, Deicide’s “Insineratehymn” offers a similar raw and intense sound.
Appreciate Lyrical Controversy: This album is laden with anti-religious themes and other provocative content, ideal for those who appreciate music that challenges societal norms and religious beliefs.
Value Technical Skill: If intricate drumming, complex guitar riffs, and powerful vocals are what you look for in metal, the technical proficiency of Deicide on this album will not disappoint.
Prefer Consistency in Bands: Fans of Deicide’s earlier work will find that “Insineratehymn” stays true to the band’s style, delivering the aggressive, blasphemous content they are known for without deviating too much from their established sound.
You might want to pass this one if you…
Prefer Modern Metal Variants: If your taste leans more towards progressive metal, metalcore, or other modern subgenres that incorporate clean vocals and synthesizers, this album might seem too harsh or monotonous.
Are Sensitive to Offensive Content: The album’s themes are heavily anti-religious and could be offensive to those with strong religious beliefs or who prefer less confrontational music.
Seek Musical Innovation: If you are always on the lookout for bands that experiment with new sounds and styles, “Insineratehymn” might not meet your expectations as it primarily sticks to the traditional death metal formula.
Prefer Lighter Themes: The dark, nihilistic themes pervasive throughout this album might not appeal to those who enjoy lighter, more positive lyrical content in their music.
Deicide’s 1990 self-titled debut album is a seminal death metal release known for its speed, aggressive vocals, and anti-religious themes. It was recorded at Morrisound Recording and became a controversial but influential work in the genre.
Deicide’s second album, “Legion” (1992), is a death metal album recorded at Morrisound Recording and produced by Scott Burns. The album features complex riffs, abrupt tempo changes, and anti-religious themes.
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Deicide’s 2008 album, “Till Death Do Us Part,” is a brutal return to their classic death metal sound, featuring anti-Christian themes and intense musicianship.
Deicide’s 2011 album, “To Hell with God,” is a relentless and blasphemous death metal assault. It features their trademark aggressive sound, with fast tempos, pummeling drums, and razor-sharp riffs. Lyrically, the album continues their well-established anti-religious themes.
Deicide’s 2013 album “In the Minds of Evil”, their eleventh, features aggressive death metal and blasphemous lyrics exploring anti-religion, darkness, and violence.
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