Released in 2013, “In the Minds of Evil” is Deicide’s eleventh studio album, showcasing their signature blend of aggressive death metal and blasphemous lyricism. Produced by Jason Suecof and featuring Glen Benton’s iconic vocals, the album explores themes of anti-religion, darkness, and violence, delivering a relentless sonic assault that will satisfy fans of extreme metal.
Album length: 36:53
Death metal
November 25, 2013
Century Media Records
July - August 2013
Audiohammer Studios (Sanford, Florida)
Jason Suecof
Anti-religious themes: Benton’s vocals are a guttural roar of blasphemy, tearing down the pillars of Christianity and spitting on the idea of a benevolent God. Songs like “Godkill” and “Kill the Light of Christ” are a middle finger to the heavens, a furious rejection of dogma and a call to embrace the void.
Darkness and despair: The album delves into the depths of human depravity, exploring themes of misery, suffering, and the futility of existence. Tracks like “Beyond Salvation” and “Misery of One” paint a bleak picture of a world consumed by darkness, where hope is a fleeting illusion.
Violence and destruction: Deicide revels in the macabre, with lyrics that celebrate death, violence, and the destruction of all that is holy. “Trample the Cross” and “End the Wrath of God” are anthems of chaos and bloodshed, a sonic onslaught that leaves no room for redemption.
Aggression: From the opening blast beats to the final guttural roar, the album is a non-stop barrage of sonic fury. The guitars are razor-sharp, the drums are thunderous, and Benton’s vocals are a demonic growl from the depths of hell. This is music that is designed to be played loud, to shake the foundations of your soul.
Darkness: The album’s atmosphere is oppressive and suffocating, a descent into a world of despair and nihilism. The lyrics are filled with bleak imagery, painting a picture of a universe devoid of meaning or purpose. The music itself is a soundtrack to the apocalypse, a cacophony of violence and destruction.
Blasphemy: Deicide has never been shy about their hatred for religion, and “In the Minds of Evil” is no exception. The lyrics are a torrent of anti-Christian sentiment, a defiant rejection of faith and a celebration of all that is unholy. This is music that is designed to offend, to provoke, and to challenge the very foundations of belief.
Lineup Changes: “In the Minds of Evil” is notable for featuring guitarist Kevin Quirion’s debut with Deicide. Quirion, who had played with Glen Benton’s side project Order of Ennead, replaced Ralph Santolla. This album also marked the last appearance of guitarist Jack Owen with the band.
Recording Challenges: Drummer Steve Asheim recorded the album while dealing with a painful shoulder injury that frequently dislocated during the sessions. Despite this, Asheim managed to deliver a performance praised for its intensity and spontaneity.
Return to Roots: The album was produced by Jason Suecof, who aimed to recapture the old-school death metal feel reminiscent of Deicide’s early works. The band consciously moved away from the more melodic elements present in their recent albums, focusing instead on straightforward, brutal death metal.
Lyrical Themes: As expected from Deicide, the album’s lyrics are steeped in anti-religious themes, continuing Glen Benton’s long-standing tradition of blasphemous content. Tracks like “Godkill” and “Kill the Light of Christ” exemplify this thematic consistency.
Sample Use: The title track “In the Minds of Evil” features a sample from the movie “The Dark Knight,” adding a unique cinematic touch to the album’s opening.
Deicide’s 1990 self-titled debut album is a seminal death metal release known for its speed, aggressive vocals, and anti-religious themes. It was recorded at Morrisound Recording and became a controversial but influential work in the genre.
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Deicide’s 2008 album, “Till Death Do Us Part,” is a brutal return to their classic death metal sound, featuring anti-Christian themes and intense musicianship.
Deicide’s 2011 album, “To Hell with God,” is a relentless and blasphemous death metal assault. It features their trademark aggressive sound, with fast tempos, pummeling drums, and razor-sharp riffs. Lyrically, the album continues their well-established anti-religious themes.
Deicide’s 2013 album “In the Minds of Evil”, their eleventh, features aggressive death metal and blasphemous lyrics exploring anti-religion, darkness, and violence.
Deicide’s 2018 album “Overtures of Blasphemy,” produced by Jason Suecof, is a relentless death metal assault showcasing their signature anti-religious themes and aggressive sound.
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