Carcass’s 1996 album “Swansong” marked a stylistic departure from the band’s goregrind origins and earlier technical death metal. This album displayed a more groove-oriented approach, blending heavy rock rhythms with melodic hooks while retaining the signature Carcass intensity.
Track Listing
Keep On Rotting In The Free World
Tomorrow Belongs To Nobody
Black Star
Cross My Heart
Child’s Play
Room 101
Polarized
Generation Hexed
Firm Hand
R**k The Vote
Don’t Believe A Word
Go To Hell
Length: 49:45
Genre
Death ‘n’ roll
Release Date
June 10th, 1996
Record Label
Earache Records
The Lineup for the Album
Jeff Walker: bass, vocals
Bill Steer: guitar
Carlo Regadas: guitar
Ken Owen: drums
Recording Date
February – April, 1995
Recording Studio
Rockfield Studios (Monmouth, Wales) and Battery Studios (London, England)
Produced by
Colin Richardson and Carcass
Album Themes/Concept
Social and political commentary: “Swansong” critiques consumerism, corruption, societal control, and a general disenchantment with the direction of the modern world.
Dark humor and satire: The lyrics use a blend of sarcasm, dark humor, and sometimes outright absurdity to tackle these themes.
Orwellian overtones: Some songs touch on topics like surveillance and social control, hinting at dystopian and Orwellian anxieties (the song “Room 101” is a direct reference to George Orwell’s novel 1984).
Album Mood
Defiant and cynical: The lyrics are filled with an anger directed towards society, institutions, and corruption. There’s a sense of rebelliousness and a refusal to accept the status quo.
Groove-oriented: Unlike some of Carcass’s earlier work with its blistering speed and technicality, this album has more of a heavy rock groove. It’s headbang-worthy but in a more deliberate, driving way.
Melodically tinged: You’ll find more distinct melodies and hooks in these songs compared to Carcass’s purely brutal phase. This creates a somewhat more accessible, catchier sound.
Touches of dark humor: While the themes are serious, the album still retains some of the dark humor and over-the-top imagery that Carcass is known for.
Album Trivia
The last album before the breakup: Swansong turned out to be the band’s final studio album before their initial breakup in 1996. While unexpected at the time, it’s now seen as a fitting title for their farewell (until their reunion years later).
Carlo Regadas’ first and only album: Guitarist Carlo Regadas joined the band just before the recording of Swansong. This made it his only album with Carcass before the breakup.
Bill Steer’s bluesy solos: While known for technical, shredding solos, some of Bill Steer’s solos on this album lean heavily into a more blues-rock style, showing a different side of his playing.
“Room 101” reference: The song “Room 101” is a direct reference to George Orwell’s novel 1984, where Room 101 is the place where a person confronts their worst fears.
Fan division: Swansong has been a divisive album among fans, largely due to its more melodic and rock-influenced direction compared to earlier Carcass albums. Some fans love the newfound accessibility, while others pine for the band’s purely brutal roots.
Listen or Pass
This album might be for you if you…
Like early melodic death metal: Enjoy bands like At The Gates, In Flames, old Dark Tranquillity? This fits that era of melodic death metal.
Appreciate a change in Carcass’ sound: If you know their goregrind roots but are curious about their later material,this shows their stylistic shift.
Enjoy driving rock grooves with a side of heaviness: The album is less about blasting speed and more about heavy,mid-tempo grooves.
Dark humor and satire appeals to you: The lyrics are filled with biting commentary and over-the-top imagery.
Don’t mind a bit of rock ‘n’ roll swagger: There’s a slightly less clinical feel to this album compared to their earlier work.
You might want to pass this one if you…
Prefer intensely brutal death metal: If you’re looking for pure brutality and relentlessly fast technicality, this album isn’t the best fit.
Struggle with harsh vocals: Jeff Walker’s vocals are still quite harsh, even if slightly more accessible than on older releases.
Desire longer, more progressive songs: These tracks are fairly straightforward in structure compared to progressive death metal.
Only like Carcass’s earliest goregrind material: You might be disappointed by the lack of surgical gore themes.
Carcass’s 1988 debut album, “Reek of Putrefaction,” is a raw and unpolished introduction to the band’s signature goregrind sound. The album’s lo-fi production, fast tempos, and graphic medical-themed lyrics established the band’s aesthetic.
Carcass’s 1989 sophomore album “Symphonies of Sickness” further refined their signature goregrind sound with heavier production and more intricate songwriting. The album’s controversial lyrics and artwork solidified their status as grindcore pioneers.
Carcass’s “Necroticism – Descanting the Insalubrious” (1991) solidified their shift from grindcore to technical death metal. The album’s intricate instrumentation and graphic medical lyrics, though initially controversial, have earned it a revered status as a classic.
Carcass’s “Heartwork” (1993) marked a pivotal moment in their evolution. The album retained the band’s signature intensity while incorporating melodic elements, technical riffs, and guitar harmonies.
Carcass’s 1996 album “Swansong” marked a shift from their goregrind roots and technical death metal sound. This album embraced a groove-oriented approach, blending heavy rock with melodic hooks while maintaining their signature intensity.
Carcass’s “Torn Arteries” (2021) showcases the band’s technical mastery. Bill Steer’s intricate riffs and solos dominate, while Jeff Walker’s snarling vocals and morbid lyrics remain signature. Daniel Wilding’s relentless drumming underpins the sonic onslaught.